In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
In this fable-morality subtitled "A Song of Two Humans", the "evil" temptress is a city woman who bewitches farmer Anses and tries to convince him to murder his neglected wife, Indre.Written by
The name of the baby was Jerry Craycroft. An article in Decatur Review dated December 26, 1926, reported that "eight month old Jerry Craycroft is making a name for himself in the movies... he will be seen a Fox picture, Sunrise, with Janet Gaynor and George O'Brian (sic)". A Social Security Death Index search for a Jerry Craycroft reveals that he was born on Apr 3, 1926, Death: 27 Feb 2000. See more »
When the Farmer is holding his son, he sets him on his Wife's lap twice. See more »
Two major versions of the film exist - the version for the American market, and the version for the Czech market. While obviously the same basic film, the Czech version is about 15 minutes shorter and features alternate angles/takes for much of the movie - this was not uncommon in the days of silent films when marketing them abroad. See more »
While some film critics disagreed in the late fifties, giving the nod to Murnau's equally brilliant "Last Laugh," this in my view is the crowning achievement of the German genius. Many polls rank it as the greatest silent film ever made and many rank it very high on the all time list of great movies.
The plot is melodramatic, the acting in places heavy handed, and the action seemingly non-existent, at least in the eyes of the "Terminator 3" generation,yet "Sunrise" is so captivating a film that it can be watched over and over again and deliver the same punch every time. In fact, like the other greats,including "Citizen Kane," you can probably get something new out of "Sunrise" every time you watch it, no matter how many times you watch.
Murnau takes barren sets and dark, hallow rooms and turns them into treasure troves of lighting and nuance. He creates something as simple as a railway depot or a big traffic intersection and makes it a story all by itself.
"Sunrise" stands today as one of the most visually fascinating films ever made. Murnau's cinematographers, Charles Rosher and Karl Struss, got an Oscar for their work and surely deserved it. Janet Gaynor won the Best Actress award for her body of work that also included "Seventh Heaven" and also richly deserved the prize. Her face expresses her inner emotions so perfectly that some of her scenes are achingly beautiful.
And the film itself received an academy award for "Most unique and artistic production," an award never given out again, maybe because no picture could live up to the standard set by "Sunrise."
The new DVD version being marketed on the quiet by Fox is marvelous, with a wonderfully restored print that seems just as bright today as it must have in late 1927 when the film was released. The DVD includes an interesting commentary option by cinematographer John Baily and no film is better suited for this, since it tells its story brilliantly with pictures alone, so the commentary option is not a distraction.
One of the great tragedies of the cinema in my view is that few people alive today have seen "Sunrise." They have no idea what they are missing.
This one ranks among the five best films ever made.
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