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Gone with the Wind (1939)

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1:55 | Trailer
A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.

Directors:

Victor Fleming, George Cukor (uncredited) | 1 more credit »

Writers:

Margaret Mitchell (story of the old south "Gone with the Wind"), Sidney Howard (screenplay)
Reviews
Popularity
888 ( 143)
Top Rated Movies #161 | Won 8 Oscars. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thomas Mitchell ... Gerald O'Hara
Barbara O'Neil ... Ellen - His Wife (as Barbara O'Neill)
Vivien Leigh ... Scarlett - Their Daughter
Evelyn Keyes ... Suellen - Their Daughter
Ann Rutherford ... Carreen - Their Daughter
George Reeves ... Brent Tarleton - Scarlett's Beau
Fred Crane ... Stuart Tarleton - Scarlett's Beau
Hattie McDaniel ... Mammy - House Servant
Oscar Polk ... Pork - House Servant
Butterfly McQueen ... Prissy - House Servant
Victor Jory ... Jonas Wilkerson - Field Overseer
Everett Brown ... Big Sam - Field Foreman
Howard C. Hickman ... John Wilkes (as Howard Hickman)
Alicia Rhett ... India - His Daughter
Leslie Howard ... Ashley - His Son
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Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Now in 70mm. wide screen and full stereophonic sound! [reissue] See more »

Genres:

Drama | History | Romance | War

Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

3 March 1949 (Netherlands) See more »

Also Known As:

Gejaagd door de wind See more »

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Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend USA:

$1,192,593, 28 June 1998, Limited Release

Gross USA:

$198,676,459

Cumulative Worldwide Gross:

$400,176,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

Stereo (1939 Reissue) (Western Electric Sound System) (Stereo)| Perspecta Stereo (1939 Reissue) (Perspecta Sound®)| 4-Track Stereo (1939 Reissue) (Stereo)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Barbara O'Neil was only 28 when she appeared as Ellen O'Hara (Scarlett's mother). Vivien Leigh was 25 when she appeared as Scarlett, who is only 16 at the beginning of the film. See more »

Goofs

Before Scarlett, Rhett, Prissy and Melanie leave for Tara, Scarlett's hair is messed up. It's neater when she gets into the wagon. When they stop so Rhett can leave, her hair is almost neat. When she arrives at home, it's messy again. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Alternate Versions

Originally shot in a 1.37:1 ratio; the prints re-released in 1967 by MGM, were converted to a simulated wide screen ratio, chopping strips at the top and bottom of the image. See more »

Connections

Referenced in Fantozzi alla riscossa (1990) See more »

Soundtracks

Battle Hymn of the Republic
(circa 1856) (uncredited)
Music by William Steffe
In the score during the burning of Atlanta sequence
See more »

Frequently Asked Questions

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User Reviews

 
A Potpourri of Vestiges Review: An American magnum opus which must be watched and often, and by those who understand cinema
8 July 2011 | by murtaza_mmaSee all my reviews

Margaret Mitchell's Gone with the Wind, in its true essence, is a case study on the Old American way of living where pride and honor were the very essence of human existence. Victor Fleming's rendition of the classic novel, a classic within its own right, does full justice to the themes propagated by Mitchell's evocative masterpiece. In the words of Mitchell herself, Gone with the Wind is the story of the people whose gift of gumption gave them a definitive edge to endure the tribulation and throes of the American Civil War vis-à-vis those who lacked an inner resolve and determination needed for survival.

Scarlet O'Hara, the well bred, haughty, tempestuous and opportunistic protagonist of the saga, is an ostensibly flawed individual whose inexorable urge to placate her ego and realize her fancies appears far stronger than her adherence to any credence pious to her people and relevant to her time. Her scintillating charm and unrestrained zeal not only make her an object of desire for her male counterparts but also an object of envy for the girls around her.

Vivian Leigh perfectly fits into the caricature of Scarlet O'Hara. She makes full use of her talent, courage and guile to portray a part that requires subtlety, brusqueness and poise in equal parts. It may sound like a hyperbole, but no other actress seemed better equipped to play the part a southern belle than Leigh herself, who won not one but two Oscars while playing one: first for her portrayal of Scarlet O'Hara and second for portraying Blanche DuBois in A Streetcar Named Desire opposite Marlon Brando. In fact, her portrayal of Scarlet O'Hara, in which she perfectly blends panache, poignancy and peremptoriness, is arguably the greatest portrayal by a female lead in cinematic history. Leigh uses her on-stage experience to improvise in order to add new dimensions and complexities to Scarlet's caricature, which according to the novel was mostly one dimensional: out-and-out bad. Scarlet's stubbornness and her impish obsession for a conformist like Ashley, who is not only indifferent to her feelings but also incapable of reciprocating the passion and zeal with which she pursues him, represent just one dimension of her multifaceted self, which is revealed layer by layer with the progression of the narrative. The viewer is gifted to see Scarlet in various avatars: a usurper, an egomaniac, a damsel, a nemesis, a menace, a guardian, a savior, a patriot, a fighter and most importantly as a quintessence of womanhood.

Clark Gable as Rhett Butler perfectly complements Vivian Leigh's larger than life portrayal. He is an outright reprobate, an unscrupulous opportunist whose life revolves around making money and pursuing carnal pleasures. However, behind this facade, just like Scarlet, there is a human capable of love, and worthy of being loved. These unobtrusive yet obvious similarities make Scarlet and Rhett a perfect match for each other. The subtle chemistry and tension between the two protagonists give the story its impetus and resonant charm. The rest of the cast has given exemplary performances with a special mention of Olivia de Havilland, who as Melanie is a paragon of love, humility and forgiveness. She provides a striking contrast to Scarlet's caricature and represents a more traditional picture of womanhood.

The movie's direction, cinematography, editing and music are all top notch and it is the great synergy of all these elements that makes the movie an extravaganza and an undisputed master piece, one to be savored till eternity. The movie is an amalgam of scenes, high on emotion and drama, which keeps the viewer absorbed throughout. The scene in which Scarlet's father tells her the importance of mother land, deeming it as the only thing worth fighting for, is pure gold. Other scenes that come close to matching its brilliance include the one in which Scarlet performs the duties of an obstetrician to help Melanie give birth to her child, and the one in which Scarlet pledges to protect Tara till her last breath. The movie also has an amazing repertoire of dialogs that are delivered with a nice mix of finesse and accuracy. Butler's famous dialog in which he says to Scarlet, "You should be kissed and often, and by someone who knows how," also happens to be one of all time favorite.

The movie, especially its anti-climatic ending, brings tears to eyes and leaves the viewer overwhelmed as he experiences a rainbow of different emotions, being awestruck by the tremendous impact of the journey that he is vicariously made to undergo.

PS. Gone with the Wind is undoubtedly one of cinema's greatest marvels and is a living testament to cinema's timelessness, and its limitless potential. A must watch for everyone. 10/10

http://www.apotpourriofvestiges.com/


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