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A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ... See full summary »

Director:

Douglas Sirk

Writers:

Leo Rosten (screenplay), Jacques Companéez (from a story by) (as Jacques Companeez) | 2 more credits »
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Cast

Credited cast:
George Sanders ... Robert Fleming
Lucille Ball ... Sandra Carpenter
Charles Coburn ... Inspector Harley Temple
Boris Karloff ... Charles van Druten
Cedric Hardwicke ... Julian Wilde (as Sir Cedric Hardwicke)
Joseph Calleia ... Dr. Nicholas Moryani
Alan Mowbray ... Lyle Maxwell
George Zucco ... Officer H. R. Barrett
Robert Coote ... Detective
Alan Napier ... Detective Gordon
Tanis Chandler ... Lucy Barnard
Rest of cast listed alphabetically:
Annette Warren Annette Warren ... Blonde Nightclub Singer (singing voice)
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Storyline

A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After a dancer disappears, the police enlist an American friend of hers, Sandra Carpenter, to answer advertisements in the personal columns, and lure the killer. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

She plays a lone hand against a lone wolf - who lured beautiful girls...to death! See more »


Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

5 September 1947 (USA) See more »

Also Known As:

Acechada See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure. See more »

Goofs

There are no lenses in Sir Cedric Hardwicke's eye glasses. In the library scene this is very noticeable. When Charles Coburn puts on his glasses the lenses are easily seen and they reflect light, unlike the pair Sir Cedric is wearing. See more »

Quotes

Inspector Harley Temple: There's a homicidal maniac loose somewhere in the vast honeycomb of London. A maniac with a weakness for young, pretty girls and not a thing we've done has brought us one inch nearer his apprehension.
See more »

Crazy Credits

Opening credits - a flashlight pans along the side of a building, and the credits are written on the side of the wall. See more »

Connections

Features Murder in Soho (1939) See more »

Soundtracks

Symphony No. 8 in B minor (Unfinished)
(uncredited)
Music by Franz Schubert
Played by the orchestra at the concert hall
See more »

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User Reviews

Lured is not very lurid
9 December 2004 | by bobbobwhiteSee all my reviews

For a serial killer film, this one must rank as the most reserved and dignified ever made. No blood nor gore, just urbane and sophisticated dialogue throughout, and especially from the killer, plus a bit of very enjoyable George Sanders-Lucille Ball romantic wit. Perhaps all victims die without bleeding/suffering/discomfort in meddy old England? "In England, we musn't dirty our hands while killing, musn't we?" But, that was typical of the bloodless killings of crime movies of that time.

George Sanders as a good guy was a total waste here. He is at his best as a witty, sarcastic and selfish cad, which he was somewhat at the start but then soon lost his lust and fell hard for Ms Ball, at which time he lost my interest as he became just another central casting rich guy in love. Unfortunate decision by the studio, as he would have been much better using more of his well known crackling wit.

As a result, Charles Coburn and Cedric Hardwicke were the best things in this film, after the radiant and gorgeous Lucille Ball. Coburn had most of the best dialogue, and came off as a brilliant mix of the philosophical and practical. The methodical way he discovered the killer was a bit long in coming, but interestingly effective overall.

The film needed editing and story tightening to eliminate a lot of the too-long and languid story development dragginess that held it back from being one of the better mystery flicks I've seen over the years. I still give it a 7 out of 10, mainly for quality of dialogue and acting.


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