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Pinky (1949)

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2:29 | Trailer
A light-skinned African American woman falls in love with a white doctor, though he is unaware of her true race.

Directors:

Elia Kazan, John Ford (uncredited)

Writers:

Cid Ricketts Sumner (novel), Philip Dunne (screenplay) | 1 more credit »
Reviews
Nominated for 3 Oscars. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
Jeanne Crain ... Patricia 'Pinky' Johnson
Ethel Barrymore ... Miss Em
Ethel Waters ... Dicey Johnson
William Lundigan ... Dr. Thomas Adams
Basil Ruysdael ... Judge Walker
Kenny Washington Kenny Washington ... Dr. Canady
Nina Mae McKinney ... Rozelia
Griff Barnett ... Dr. Joseph 'Doc Joe' McGill
Frederick O'Neal Frederick O'Neal ... Jake Walters
Evelyn Varden ... Melba Wooley
Raymond Greenleaf ... Judge Shoreham
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Storyline

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, Pinky has fallen in love with a young white doctor, Dr. Thomas Adams, who knows nothing about her black heritage. Pinky says that she will return to the North, but Granny Johnson convinces her to stay and treat an ailing white woman, Miss Em. Meanwhile, Dr. Canady, a black physician from another part of the state, visits Pinky and asks her to train some African American students, but she declines. Pinky nurses Miss Em but is resentful because she seems to feel that she is doing the same thing her grandmother did. Pinky and Miss Em slowly develop a mutual respect for one another. Mrs. Em leaves Pinky her property when she dies, but relatives of the deceased woman contest the new will in court. To raise money for the court fees, Pinky washes clothes... Written by Broncine G. Carter

Plot Summary | Add Synopsis

Taglines:

The love story of a girl who passed for white! See more »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

November 1949 (USA) See more »

Also Known As:

Lo que la carne hereda See more »

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Box Office

Gross USA:

$4,200,000
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Ethel Waters was King Vidor's first choice for the lead in "Hallelujah." When Waters proved unavailable, Vidor picked the unknown, teenage Nina Mae McKinney. Two decades later in "Pinky" McKinney appears in a decidedly supporting role with the Oscar-nominated Waters. See more »

Goofs

When actress Nina May Mckinney's character gets slapped on the left side of her face by the white officer, Nina mistakenly rubs the right side of her face. See more »

Quotes

Judge Walker: The expressed wishes of the dead should not be set aside to gratify the greed or the prejudice of the living.
See more »

Connections

Referenced in Black Shadows on the Silver Screen (1975) See more »

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User Reviews

 
The Racism in Your Face
26 November 2008 | by wes-connorsSee all my reviews

Well-mannered nurse Jeanne Crain (as Patricia "Pinky" Johnson) returns to her poor "Black" neighborhood, in Mississippi. There, she is welcomed by washerwoman grandmother Ethel Waters (as Granny). The pair are confronted by racism both outside and inside their home. Most importantly, it is revealed that Ms. Crain has been "passing" as "White". Moreover, Crain has become engaged to Caucasian doctor William Lundigan (as Thomas Adams). While working at home, to support Crain's nursing education, Ms. Waters has grown close to ailing Ethel Barrymore (as Miss Em). At first, Crain does not understand or accept the friendship between Waters, a former slave, and Ms. Barrymore, a former plantation owner. But, for her grandmother, Crain agrees to become Barrymore's nurse.

"Pinky" is a nerve-rattling classic.

Probably, the most obvious "debate" point was the casting of Crain in the title role. Crain was definitely "pink" enough (or, white-looking); but, her general "movie star" persona makes the casting decision seem risky. Yet, Crain, under Elia Kazan's direction, triumphs. There are so many ways Crain could have fallen into acting traps - she could have used mannerisms, make-up, and/or other stereotypical devices to "camp" up the "Black" - but, she avoids each trap. Crain performs the role with a great amount of dignity. She was deservedly honored with an "Academy Award" nomination.

Barrymore and Waters also perform well (as you might expect).

We are never, in the film, given a clear statement of facts regarding the heritage of Crain's "Pinky". My guess is that she is related, by blood, to both Waters and Barrymore. An attempted rape of Crain's character accounts, arguably, for her pink appearance; this might have occurred in more than one generation. It's also possible that a loving "mixed race" relationship was part of either Ethel's past. Making the "Black/White" history more clear would have only gotten the film into more trouble.

"Pinky" was quickly censored, and headed for the US Supreme Court.

One of the Board of Censors' objections was, "a white man retaining his love for a woman after learning that she is a Negro." However, Mr. Lundigan's "Thomas" is only willing to retain his love under certain conditions; and, this leads to a sharp, less "Hollywood"-styled ending. The Supreme Court was correct. Some of the film's best scenes show the way Crain is treated after other characters learn she is not white.

********* Pinky (9/29/49) Elia Kazan ~ Jeanne Crain, Ethel Barrymore, Ethel Waters, William Lundigan


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