Eve (Anne Baxter) is waiting backstage to meet her idol, aging Broadway star Margo Channing (Bette Davis). It seems innocent enough as Eve explains that she has seen Margo in EVERY performance of her current play. Only playwright/critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and her fiancé, Bill Simpson (Gary Merrill). When the fiancé shows no interest, she tries for playwright Lloyd Richards (Hugh Marlowe), but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where a young woman named Phoebe has sneaked into her room and fallen asleep. This is where the "Circle of Life" now comes to fruition as Eve will get played like she played Margo.
Gary Merrill described the experience of working with Marilyn Monroe in his autobiography as occasionally frustrating. He describes a dinner party that Bette Davis hosted the night before she and Monroe were to shoot a scene together. "The party went on quite late," he recalls, "but Marilyn excused herself early because she had to work the next morning. We all knew the scene Marilyn had to work on the next morning was really Bette's scene and that Marilyn had only a few lines...Bette had more, but she was an experienced actress and accomplished the scene with little bother. It had to be done in ten takes, however-Marilyn kept forgetting her lines." See more »
In the first scene just as the camera pulls away from the award plaque, the dolly tracks are visible on the floor. See more »
I'll admit I may have seen better days, but I'm still not to be had for the price of a cocktail like a salted peanut.
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Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
I had read comments about the quality of the writing in this film but I really had no idea to what extent this would elevate the experience. The fact is, it leaves me with no other choice than to give it a perfect 10. Unless you see this film, I don't think you'll have the necessary frame of reference with which to to base any expectations on. It's an incredibly engrossing, moving and often comedic experience, but time and time again what knocks you over is the absolute finesse with which this script was crafted. The fact that the acting and direction are flawless and surprisingly natural-seeming (most old movies usually seem stiff or people seem to "act" too much) only enhances it that much more. With this film, you can really imagine the *people* the actors are portraying.
"All About Eve" shows some similarity to one of my other favourite 50s films "A Face in the Crowd". Both are studies of fame and celebrity. Eve shows how a person will corrupt themselves in order to attain it, whereas A Face's premise is that fame corrupts those who find themselves in the spotlight. Both have themes that are perhaps even more resonant in our celebrity-obsessed culture now than when they were made. Interestingly, Eve predates A Face by several years.
And possibly most interesting of all is the honest and often raw way in which women are portrayed, the strength of their character and the power they wield. The male contingent is practically relegated to the back seat. One might be hard pressed to find a movie quite so "liberated" today. So what more can I say? If you love movies and you haven't yet seen it, you've suffered long enough; don't wait another day.
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