Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story.Written by
One of the rare films to receive multiple Academy Award nominations and win every single one of them. The Last Emperor (1987) is another notable example. See more »
Aunt Alicia puts the green jar on the table twice: she reaches to put the jar down, the camera cuts to the same scene at an angle, and she reaches again. See more »
[Honore walks through Paris and greets the viewer]
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...] See more »
In some prints shown on television, we see still photos of Leslie Caron part of the time during the song "Gigi", instead of seeing Louis Jourdan singing. (This occurs after the verse and first chorus, when the orchestra plays the song while Jourdan only exclaims "Gigi!") As shown currently, we see Jourdan singing throughout the whole song, as in the theatrical release. See more »
"My Fair Lady" is certainly Lerner and Loewe's crowning glory, but in my mind, this is their most perfect creation. Anyone who thinks that Alan Jay Lerner was not able to write and/or adapt a strong book without the help of a G.B. Shaw needs to take in this gem of a musical based on the novel by Colette.
Although the creators were American, it is so effervescently French in spirit and tone. Lerner insisted that he and Loewe actually live temporarily in Paris while writing the score and screenplay so that they could incorporate the mood and feel of the city into their collaboration. This move paid off in spades. Paris is as much a character in this story as any of the protagonists, and it is displayed beautifully here. There is such color, joy, and romance in this musical. I also happen to think that it's extremely funny to boot. It is perfectly cast (the three main characters are all French, including the legendary Maurice Chevalier), the Cecil Beaton costumes are incredible, and the score is scintillating. The pace never lags for a second.
This musical is a must.
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