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Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.

Director:

Vincente Minnelli

Writers:

Alan Jay Lerner (screen play), Colette (based on the novella by)
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Won 9 Oscars. Another 12 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Leslie Caron ... Gigi
Maurice Chevalier ... Honoré Lachaille
Louis Jourdan ... Gaston Lachaille
Hermione Gingold ... Madame Alvarez
Eva Gabor ... Liane d'Exelmans
Jacques Bergerac ... Sandomir
Isabel Jeans ... Aunt Alicia
John Abbott ... Manuel
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Storyline

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Thank heaven for Gigi [1966 re-release] See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

16 January 1959 (Netherlands) See more »

Also Known As:

Gigi See more »

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Box Office

Budget:

$3,319,355 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

4-Track Stereo (Westrex Recording System)| Perspecta Stereo | Mono

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

One of the rare films to receive multiple Academy Award nominations and win every single one of them. The Last Emperor (1987) is another notable example. See more »

Goofs

Aunt Alicia puts the green jar on the table twice: she reaches to put the jar down, the camera cuts to the same scene at an angle, and she reaches again. See more »

Quotes

[first lines]
[Honore walks through Paris and greets the viewer]
Honore Lachaille: Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
[laughs]
Honore Lachaille: ...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...]
See more »

Alternate Versions

In some prints shown on television, we see still photos of Leslie Caron part of the time during the song "Gigi", instead of seeing Louis Jourdan singing. (This occurs after the verse and first chorus, when the orchestra plays the song while Jourdan only exclaims "Gigi!") As shown currently, we see Jourdan singing throughout the whole song, as in the theatrical release. See more »

Connections

Referenced in Married with Children: Buck the Stud (1991) See more »

Soundtracks

Gaston's Soliloquy
(uncredited)
Lyrics by Alan Jay Lerner
Pusic by Frederick Loewe
Performed by Louis Jourdan
See more »

Frequently Asked Questions

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User Reviews

 
A perfect musical
14 September 1998 | by LBX DudeSee all my reviews

"My Fair Lady" is certainly Lerner and Loewe's crowning glory, but in my mind, this is their most perfect creation. Anyone who thinks that Alan Jay Lerner was not able to write and/or adapt a strong book without the help of a G.B. Shaw needs to take in this gem of a musical based on the novel by Colette.

Although the creators were American, it is so effervescently French in spirit and tone. Lerner insisted that he and Loewe actually live temporarily in Paris while writing the score and screenplay so that they could incorporate the mood and feel of the city into their collaboration. This move paid off in spades. Paris is as much a character in this story as any of the protagonists, and it is displayed beautifully here. There is such color, joy, and romance in this musical. I also happen to think that it's extremely funny to boot. It is perfectly cast (the three main characters are all French, including the legendary Maurice Chevalier), the Cecil Beaton costumes are incredible, and the score is scintillating. The pace never lags for a second.

This musical is a must.


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