Zian Servettaz is a dedicated mountain man. His Italian-born wife Bianca does not adjust well to his mountain village in France, and to the ever life-threatening dangers presented by his mountain guiding and climbing.
André Le Gall,
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the ... See full summary »
Done in a similar style to the musical duo's TV show "The Sonny and Cher Comedy Hour", this film is more a series of unconnected skits and parodies than a single running plot. When Sonny gets offered a role in a movie, he talks Cher into giving it a try. The proposed script, however, turns out to be awful, but in order to get out of doing this stinker of a project, Sonny has just ten days to come with his own better script. The rest of the film follows his daydreams as he plots out possible storylines starring him as a Wild West sheriff, a jungle king, and as a private eye.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Sonny and Cher did a promotional still for the film dressed in prehistoric caveman and cavewoman attire sitting atop Ralph Helfer's elephant Misty. See more »
In the western scene where a mom is trying to pull her son's ear, she keeps missing the ear. The son finally realizes this, so he walks as if she had a hold of his ear. See more »
Hey, you wanna make a movie?
'Cos I like what I'm doing.
I know. But let's just go up and see what it's all about.
No, you go ahead. I've got some things to do. I'll meet you later.
Come on, Bud. You don't have anything to do.
No, you go ahead. Besides, you know I hate business.
Not business. I'm just gonna go up and see what it's all about.
No thank you.
[...] See more »
I agreed to see this because it was the first film by William Friedkin (French Connection, Excorsist). And the big surprise is that it is not a bad film. (And kudos to Mr Friedkin to show such savvy in his parody of "High Noon" and other films.) Of course it's not a great film, either. Stylistically, it is rather of a kind with television movies of the same era, or a decade later. For better or worse, Friedkin decided not to go the route of "psychedlic trippy hippy film," but delivers a fairly staid, episodic musical comedy. That actually saves the film, in my opinion; I never felt, watching this, that it might have seemed better in its time and place with a hit of acid under the belt. It's a simple, middle-brow romantic comedy about a pair of singers wrestling with the very idea of making a movie for their fans.
For me, the saving grace of the film is Cher; here she is all exuberance, innocent sexuality (a quality difficult to project), love-of-life - oh, she's just great.
And through her, the film captures the romanticism of the 1960s that is largely forgotten today.
Finally, a word on the music: Sonny Bono's songs are wretched just as songs, but he had a real ear for melody and the arrangements here make that very clear - he missed his calling, he should have been composing soundtracks all along.
A bit of an oddity, but kind of fun.
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