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A Passage to India (1984)

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1:55 | Trailer
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.

Director:

David Lean

Writers:

E.M. Forster (by), E.M. Forster (based on the novel by) | 2 more credits »
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Won 2 Oscars. Another 20 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Judy Davis ... Adela
Victor Banerjee ... Aziz
Peggy Ashcroft ... Mrs. Moore
James Fox ... Fielding
Alec Guinness ... Godbole
Nigel Havers ... Ronny
Richard Wilson ... Turton
Antonia Pemberton Antonia Pemberton ... Mrs. Turton
Michael Culver ... McBryde
Art Malik ... Ali
Saeed Jaffrey ... Hamidullah
Clive Swift ... Major Callendar
Ann Firbank ... Mrs. Callendar
Roshan Seth ... Amritrao
Sandra Hotz ... Stella
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Storyline

It's the early 1920s. Britons Adela Quested and her probable future mother-in-law Mrs. Moore have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop, who works there as the city's magistrate. Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize, let alone associate, with the native population, such people as the Turtons, Mr. Turton being Ronny's superior, who openly thumb their noses at the idea in their belief that the Indians are an inferior people. They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding, the school master at government college, he who offers to organize a small, but truly inclusive, social gathering with some natives for them, unlike the large ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

india | doctor | cave | 1920s | small town | See All (72) »

Taglines:

David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]


Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Hindi

Release Date:

4 April 1985 (Netherlands) See more »

Also Known As:

Pasaje a la India See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$84,580, 16 December 1984, Limited Release

Gross USA:

$27,187,653
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The character of Mr. Hadley as filmed was a nice little cameo, but in editing, most of his scenes were deleted, and all of his lines were cut as well (source Adam Blackwood). See more »

Goofs

At the Marabar Caves, the elephants and their mahouts are decorated in the South Indian style-ash smeared on their foreheads etc. whereas the story is supposed to have happened in Chandrapore, Bihar. These scenes were clearly shot in South India, perhaps in the caves and hills, near Bangalore. See more »

Quotes

Mrs. Moore: God has put us on earth to love and help our fellow men.
Ronny: Yes, mother.
See more »

Connections

Referenced in The Nearly Complete and Utter History of Everything (1999) See more »

Soundtracks

Roses of Picardy
(uncredited)
Lyrics by Frederick Edward Weatherly
Music by Haydn Wood
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Frequently Asked Questions

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User Reviews

 
a disappointment
24 March 2003 | by jg1972See all my reviews

David Lean has made some of the best films of all time (viz. "Dr. Zhivago" and "Lawrence of Arabia"), and E. M. Forster is a delightful writer (viz. "Howards End" and "Room with a View"). This film, however, turns out to be a disappointment. While some other reviewers have loved it, I suspect that they have not read the novel. Moreover, as a pure story, it does not match up to Lean's earlier work.

The very essence of the story is the question, can Indians and Britons be friends? That is the heart of the novel, as Dr. Aziz and Mr. Fielding struggle to be friends as their societies conflict and they offend each other through misunderstandings. This is not really shown in the film. In fact, in some ways, the chief Anglo-Indian relationship in the film is a latent love between Dr. Aziz and Miss Quested. Lean leads us to believe that they secretly long for each other, but society (and they themselves) will not allow such a relationship. Additionally, Lean has changed much of the focus from an Indian story (about Dr. Aziz and his search for a place in colonial society) to a British one (about the place of British colonials in an alien place). This is reinforced by the invented opening scene of the movie, which is not in the novel.

I watched this film with a friend who had not read the novel, and she had a hard time following many of the plot twists.

Considering the novel as the premise, this is not an epic tale, and it was not suited for Lean's grand style. The more intimate style of Merchant-Ivory would have been appropriate here. Lawrence's "Seven Pillars of Wisdom" and Pasternak's "Dr. Zhivago" were epic novels needing broad strokes to appear on screen. Forster's novel mixed subtle satire with poignant portrayal of the dilemma's facing a Western-educated Indian under the British Raj. Most of that is lost in this film.


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