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5.3/10
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7 user 3 critic

Le sang des autres (1984)

WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »

Director:

Claude Chabrol

Writers:

Simone de Beauvoir (based on the novel by), Brian Moore (adaptation) | 1 more credit »
Reviews
1 win. See more awards »

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Cast

Cast overview, first billed only:
Jodie Foster ... Hélène
Michael Ontkean ... Jean
Sam Neill ... Bergman
Lambert Wilson ... Paul
Stéphane Audran ... Gigi
Alexandra Stewart ... Madeleine
Jean-François Balmer ... Arnaud
John Vernon ... Charles
Marie Bunel ... Yvonne
Michel Robin ... Raoul
Roger Miremont ... Marcel (as Roger Mirmont)
Christine Laurent Christine Laurent ... Denise
Kate Reid ... Madame Blomart
Jean-Pierre Aumont ... Henri Blomart
Monique Mercure ... Madame Klotz
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Storyline

WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance | War

Certificate:

See all certifications »
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Details

Country:

Canada | France | USA

Language:

English | German

Release Date:

2 May 1984 (France) See more »

Also Known As:

A Vida do Próximo See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (2-part Series)

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Claude Chabrol cast Micheline Presle in Le sang des autres (1984), one of the many projects he had accepted against the grain and chosen to handle in the most superficial way as possible. When Micheline asked him if he had any ideas about how she should have played her character, he replied that he didn't. The actress eventually played the role to good reviews, leading the director to tell her with self-irony that she had been much more praised than the film itself. See more »

Soundtracks

C'était écrit
Composed by Jacques Stern
Lyrics by Jack Meskill
Performed by Maurice Chevalier
See more »

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User Reviews

 
THE BLOOD OF OTHERS {Edited Version} (Claude Chabrol, 1984; TV) **1/2
12 November 2010 | by Bunuel1976See all my reviews

I recall this being shown on local TV; still, I am not sure in which guise it was – since the film was originally shown as a two-part mini-series (running 176 minutes), while the edition I recently acquired was possibly a theatrical reduction of it with a length of just 125 minutes!

It is yet another rare foray into the English language for director Chabrol; for the record, he would deal with this turbulent period of French history again in both STORY OF WOMEN (1988) and the documentary THE EYE OF VICHY (1993) – though, instead of regular lead Isabelle Huppert, here we have American Jodie Foster. She is okay under the circumstances (the film certainly does not condemn her initial lack of political commitment and apparent collaborationism, though her ultimate self-sacrifice does come off as overly contrived). Less effective are her Communist/resistance members lovers Michael Ontkean (for whom he forsakes the like-minded Alexandra Stewart) and Lambert Wilson; incidentally, this is the one film where Chabrol was able to express his politics! However, also involved with the heroine is German manufacturer Sam Neill – who does creditably too (despite the dubious accent).

Predictably, Chabrol's ex-wife Stephane Audran turns up as well and, while ranking highly in the cast list, her role is both minor and unrewarding (at least in the shorter version); ditto, her Nazi lover John Vernon creates an initial impression but nothing subsequently comes of his character! On the other hand, the participation of veterans Micheline Presle (as an abortionist – a subject the director would focus on in the afore-mentioned STORY OF WOMEN) and Jean-Pierre Aumont (as Ontkean's disapproving bourgeois father) is notable, though brief; Christa Lang, Samuel Fuller's wife, is also on hand (as, reportedly, is the iconoclastic American film-maker himself – though his role seems to have been excised from this compressed edition as I would surely have recognized him otherwise!).

Though the film has been much criticized for its commercial trappings (glossy production, star names, melodramatic plot), Chabrol's true métier as a director of thrillers emerges in a couple of key suspense sequences: the planting of a gun in a Nazi-infested hotel, followed by the assassination of a traitor, and the climactic springing from prison of the captured hit-man via the ruse of impersonation.


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