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The Abyss (1989)

Trailer
2:47 | Trailer
A civilian diving team is enlisted to search for a lost nuclear submarine and face danger while encountering an alien aquatic species.

Director:

James Cameron

Writer:

James Cameron
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Popularity
2,345 ( 1,403)
Won 1 Oscar. Another 8 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ed Harris ... Bud Brigman
Mary Elizabeth Mastrantonio ... Lindsey Brigman
Michael Biehn ... Lt. Coffey
Leo Burmester ... Catfish De Vries
Todd Graff ... Alan 'Hippy' Carnes
John Bedford Lloyd ... Jammer Willis
J.C. Quinn ... 'Sonny' Dawson
Kimberly Scott ... Lisa 'One Night' Standing
Captain Kidd Brewer Jr. ... Lew Finler (as Capt. Kidd Brewer Jr.)
George Robert Klek George Robert Klek ... Wilhite
Christopher Murphy ... Schoenick
Adam Nelson ... Ensign Monk
Dick Warlock ... Dwight Perry (as Richard Warlock)
Jimmie Ray Weeks ... Leland McBride
J. Kenneth Campbell ... DeMarco
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Storyline

Formerly married petroleum engineers who still have some issues to work out. They are drafted to assist a gung-ho Navy SEAL with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on Earth. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

Deep below the blue surface, there lies a place no one has ever dreamed of..... See more »


Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 December 1989 (Netherlands) See more »

Also Known As:

Afgrond See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$9,319,797, 13 August 1989, Wide Release

Gross USA:

$54,461,047

Cumulative Worldwide Gross:

$90,000,098
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

One of the first films to make proper use of CGI technology, which were done by George Lucas's special effects company Industrial Light and Magic (ILM). The animated water effects would be put to use in James Cameron's next film Terminator 2: Judgment Day (1991), to create the liquid Terminator, the T-1000. See more »

Goofs

When the water creature is exploring the war head you can see the square reflective mylar sheet with a stick to agitate it to give the rippling light effect. See more »

Quotes

[first lines]
USS Montana Captain: Sixty knots? No way, Barnes. The Reds don't have anything that fast.
See more »

Crazy Credits

There are no opening credits, save for the title, which emerges from darkness. The camera then follows down the "Y" of the title, and dissolves into the underwater blue of the ocean. See more »

Alternate Versions

The original UK VHS release (not the director's cut) featured the 'rat' scene in its entirety. See more »

Connections

Referenced in Never Sleep Again: The Elm Street Legacy (2010) See more »

Soundtracks

The Walk To The Gas Chamber
(uncredited)
From The Seventh Sign (1988)
Music composed and performed by Jack Nitzsche
Courtesy of Tri-Star Pictures, Inc.
Published by TSP Music, Inc. administered by EMI Music, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
Masterpiece
13 October 2003 | by Lt_Coffey_182See all my reviews

Though I prefer The Terminator and Aliens, this film is James Camerons most artistic film. The visual imagery of this film is stunning, with no half measures taken, it is such a pleasure to watch. The aliens look as beautiful as an alien can do and the underwater scenery is so picturesque that I just wish I could be there.

The special effects are stunning. As with a lot of Cameron's hits, this was an innovator in special effects. If it wasn't for this film, films such as The Matrix and Lord of the Rings would not be here or at least would not have been able to express themselves in a visual sense.

Cameron is the ultimate director. Although he is a pain to work with, he gets his image across and proves why he is such a hit machine. No one compares to him when it comes to picking a cast. Even though most of this cast were, and still are, unknown, the performances in this are fantastic. I know I always praise him but Michael Biehn as Coffey is one of the best acting performances I have ever seen and the fact that Biehn was not even Oscar nominated is a travesty! He is great to watch as the maniac who is irate and just plain horrible. Ed Harris is on par with his good performances in The Rock and Apollo 13. You just want to be his mate in this movie despite the fact he is another pain (see Rock out takes) which is why him and Cameron have not spoken a word since this film. Mary Elizabeth Mastrantonio was a bit of a fad. She didn't last very long being in good films but she is good as the hard nosed estranged wife who near the end, becomes wonderfully vulnerable and loving.

Cameron is a great writer and The Abyss, along with The Terminator and Strange Days, shows off his talent to a great extent. As with all of Cameron's Sci-Fi screenplays, behind the technology lies a distinctively human element. This enables The Abyss, despite the extra terrestrial goings on, to approach the audience on their level and suck viewers in to the film. The character of Coffey is a great obstacle character because he is losing his mind and is getting engulfed by paranoia to the point where he can not trust anyone. The way Cameron uses Coffey to build up suspense is very effective and the culmination of this is one of the most frantic underwater chases there will ever be. Spectacular is the only word that comes to mind. The ending of this film has been heavily criticised but this is unfair as it carries a decent message regarding humanity and fits the mood of the film. It may have been slightly rushed but the best bits of the film are all under water anyway.

Anyone who likes their special effects, a great story and terrific acting need look no further than The Abyss. The contrast of the breathtaking beauty of the ocean between the claustrophobia of a vessel should be enough to captivate most audiences. A fantastic visionary piece.


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