After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe and Paul Hodges are suspended for one month by their Captain Romans. Jimmy decides to sell his rare baseball card to pay for his daughter's expensive wedding while his jealous partner believes that his wife is cheating on him with their next-door neighbor. When Jimmy sells his card to a memorabilia store, the place is burgled by two small-time thieves and the detective loses his card. They track down the thieves.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Kevin SmithBruce Willis was often unable to improvise with Tracey Morgan. "He seemed shell-shocked by how fast Tracy could make up dialogue and be funny. Tracy was so fun, and Bruce was like, what is he talking about? He started trying to ad-lib," says Smith, "and he'd look out the window and be like, "Is that Connie Chung out there? I think that's Maury Povich". He's naming these names, and you're like, does he have an old TV Guide under the table? Why is he bringing these names up?" See more »
In the car chase sequence through the cemetery, Jimmy shoots out the back of the car and the assailants shoot into it, however the glass can be seen to only have one small hole in the middle of it. See more »
You know what today represents? Nine Jim. Nine years me and you been together. *Nine* we been main shit stains. I know some dogs that don't even live to be nine. You're lucky if you get seven years out of a Great Dane. But me and you been puttin' it together for nine...
[whips out a card]
Happy anniversary Jim.
I don't celebrate anniversaries.
Jim, open it up. I wanna see the expression on your face.
You wanna see the expression on my face? The expression you're gonna see on my face...
See more »
Kevin Smith's first directing gig that he didn't write himself, "Cop Out," finds the director re-teaming with his "Live Free or Die Hard" co-star, Bruce Willis, as well as Tracy Morgan and Seann William Scott, who both starred in his 2001 film and quite possibly the biggest inside-joke put to film, "Jay & Silent Bob Strike Back."
More than that, though, the film is a brilliant throwback to the glory days of such 80's buddy cop franchises as "Lethal Weapon" and "Beverly Hills Cop." You'll recognize key dialog from the former while the composer for the latter, Harold Faltermeyer, makes a glorious return to the genre with a quirky retro score that sets the mood just right. Bruce Willis plays the straight-man to Tracy Morgan's...well...Tracy Morgan is really just playing every character he's ever played here, but the way in which he bounces off of Willis (who himself seems to be trying hard to keep a straight face in many scenes) keeps it from feeling tired or stale. While this odd-couple/cop formula has been done to death in the past, it works for this film and is done in a loving way that pays tribute rather than re-hashes.
Smith, whose films are mostly talk, proves himself to be a competent action director at times throughout the film. It's funny to think that the man who made "Clerks" made a polished studio film such as this, but it's a sign of maturity more than selling-out, so rest easy fanboys. The script by Mark & Robb Cullen is whip-smart, witty and never leaves you longing for a laugh. Even if you don't gel with the story about a rare baseball card landing into the lap of a high-powered drug-lord, you'll always find yourself laughing along with the film. It also helps, too, that each and every player seems to have had a good time making the film, and that translates into the final result.
One could make the argument that Smith himself could have re-written the film and made it all the funnier, but much of the humor in the film comes from the on-screen chemistry. It's about as good of an 80's buddy cop throwback as you'll get, and is rounded out with a brilliant cast that also includes Guillermo Diaz, Kevin Pollak, Adam Brody and Jason Lee, among others. Go into expecting a simple yet effective way of just how fun an action movie can be. As for Smith, he's shown significant range, and hopefully the film will help break him out from just being the guy who directed those Jay & Silent Bob flicks. Thankfully, "Cop Out" is anything but.
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